UK Government reprieve film industry...partially
Recent proposed Tax law changes in the UK were inadvertantly threatening the UK Film Industry yet again, and had threatened to hit some high profile titles, so much so that they could be looking forward to serious shortfalls of their overall budgets.
Good news this week though as we hear that the complaints that have been spoken both privately and in the press have been headed, and the Government has (for once) acted speedily to rectify the situation.
The UK Government were trying to close down GAAP funds, which are, as according to Cineuropa:
...these GAAP funds allowed rich individuals to write off high-risk investments as losses against their income tax. This subsequent reduction in tax payments was a key element behind the recent renaissance of the British film industry, also luring US productions to shoot in the UK through the lucrative tax incentives.
...and Variety also describes the GAAP funds:
GAAP specialists such as Ingenious Film Partners, Scion Films, Future Film and Prescience Film Finance used generally accepted accounting principles (hence the name) to create an upfront tax loss that mitigated the risk for equity investors.
According to one production company head, Jeff Abberley from Scion, who has been using the Tax benefits to fund films it will be virtually impossible to fund an independent film out of the UK. There's even more short term worrying news though:
Nor is it certain that films set to shoot in the coming weeks – e.g., Michael Winterbottom’s Genova and Julian Jarrold’s Brideshead Revisited (30% of whose budgets were to come from GAAP funds) – will be able to go into production as planned.
It seems disaster is looming for many films.
Cineuropa go on to tell us about the sale-and-leaseback financing that is used for many big name productions:
To make matters worse, the new change in tax rules also blocks sale-and-leaseback financing, a staple financial model behind over 50 films made in the UK last year, including Casino Royale and Hannibal Rising.
Variety also had some startlingly bad news. They figured that this meant over ninety films made in 2006 would suddenly have a retrospective budget shortfall of up to 16%
It didn't sound good at all, and then something happened. After five days of lobbying and press releases, the government realised they'd made yet another mistake and decided to lift the ban on the sale-and-leaseback partnerships. Yet that was only part of the problem.
So the retrospective budget shortfalls were sorted, that means that studios wouldn't be scraping to find 16% of the budget for Casino Royale, even though the film had already been released.
Yet the problem of the GAAP funding being closed down still remains, have a read of this to understand what it could mean for the UK industry:
In the year to April , these funds were set to pump an estimated $2 billion into movies -- many of them British though not all, and many distributed by the Hollywood majors. Much of that money was already spent by the March 2 clampdown.Pics that previously tapped such coin, typically worth around 30% of budgets, include "Night at the Museum," "Eragorn," "The Golden Age," "Atonement," and smaller indie pics such as Mike Leigh's next untitled movie and Nick Love's "Outlaw."...
...Danny Boyle's "Sunshine," Matthew Vaughn's "Stardust," Julian Jarrold's "Becoming Jane," Martin McDonagh's "In Bruges" and Edgar Wright's "Hot Fuzz" -- that were fueled by these equity funds...
...DNA Films topper Andrew Macdonald admits that Boyle's $45 million sci-fi epic "Sunshine" simply could not have been made without Ingenious to match Fox's investment.
It certainly is a worrying read. Luckily though none of the current films in production that are using GAAP to assist in funding have fallen apart, but reading these facts and figures it does make you wonder if the appetite for making films in the UK is going to drop even more.
Before long the UK industry is going to act merely as a feed for Hollywood, we see our stars head off there for more money and recognition, now we're seeing behind the scenes talent and productions head that way too.
Surely the government must realise that they can tax something too far, and indeed tax it to death.
















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